Monday, October 1, 2012
Hectic Hillsborough
For my joiner project, I attempted to showcase the hectic nature of an
intersection on Hillsborough Street. Because of the high level of
activity in the area, I thought it would be the perfect location to
explore different perspectives and the passage of time, as often is
portrayed in photocubism. I took many photos from varying angles and at
several times of day and loosely composited them together. I took this
loose approach to suggest the constant changing nature and business of
the scene, allowing the viewer’s eye to wander and explore. I included
connecting elements and leading lines (such as the crosswalk leading up
from the bottom right to the center, and the stoplight post leading from
the top right to the left) to give the viewer some guidance, while
still allowing them to discover the scene for themselves. I used the
strong leading line of the stoplight post to lead the eye deliberately
from right to left, opposite of how we are naturally inclined to read
things, to create a stronger sense of rhythm throughout the
composition. This line is enhanced through the gradual shift from
mostly day photos to mostly night photos from right to left, suggesting
the cycling time of day. The overall circular viewing path of the image
suggests this constant change in time. The critiques I received on
VoiceThread influenced a lot of these decisions and were incredibly
helpful.
Sunday, September 30, 2012
Storyboad Practice
Class assignment: your guess at what the storyboards for Steve Ogden's short animation might have looked like.
Saturday, September 29, 2012
Composition Studies and Cubes (Studio Project)
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| composition photographs |
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| density |
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| line / continuation |
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| mass and void |
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| pattern / rhythm |
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| texture |
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| value |
Structure Exemplifying 'Value'
Preliminary Models
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| paper models for structure exemplifying value |
Individual Units
Final Structure (made with Stephanie H., Maya M., and Ross A. out of wood and metal cubes)
| Photos courtesy of Stephanie H. |
Sunday, September 23, 2012
Sustainability Posters
In this poster, I was attempting to utilize the Gestalt principle figure-ground relationship. I did this by layering the tiger, its stripes, and the trees, so that the viewer does not exactly know which object to distinguish as the main figure to focus on. I wanted the stripes to resemble and blend into the trees, symbolizing that when you lose the trees, you lose the tigers. I adjusted (as suggested) the angles of the stripes and added more trees so that they would connect and lead the viewer’s eye through the page, using continuation, leading up to the tiger’s face. In mid-review, it was suggested that I add some sort of man-made structure in the background to really emphasize the deforestation aspect. However, in the SecondLife critique, the version with a city skyline in the background was suggested to be changed back to a version without. Later, a VoiceThread comment suggested keeping the city. I ultimately decided to focus on only the tiger’s stripes and the trees, so that the symbolism and Gestalt principles of figure-ground, continuation, and similarity would be clear.
In this poster I was attempting to utilize the Gestalt principles of similarity, dissimilarity, and anomaly. After the repeating the trashcans and landfills, the recycling bin with the forest breaks this visual repetition, acting as a dissimilar element to convey contrast. There is also continuation between the two trashcans due to their shared landfill background that leads the viewer’s eye through them. In mid-review it was suggested that I simplify and down-size my text, which I did. In a VoiceThread critique, it was suggested that I make the text just a little smaller, and also emphasize certain parts of the text by enlarging them and using a brighter color. I used both these suggestions, and believe my piece is now better for it.
In this poster, I was attempting to utilize the Gestalt principles of proximity grouping and closure. This is created through the water droplets that suggest the shape of the earth, as well as the text wrapping around it. There is also similarity between the water droplets that make up the earth and the water droplets in the background. The comments through mid-review led me to really simplify my message, as well as completely rearrange the text to wrap around the earth. VoiceThread critiques gave me additional comments on how to tweak the text and unify the poster more fully from the faucet, through the earth, to the bottom text.
In this poster I was attempting to utilize the Gestalt principles of similarity, dissimilarity, and anomaly. After the repeating the trashcans and landfills, the recycling bin with the forest breaks this visual repetition, acting as a dissimilar element to convey contrast. There is also continuation between the two trashcans due to their shared landfill background that leads the viewer’s eye through them. In mid-review it was suggested that I simplify and down-size my text, which I did. In a VoiceThread critique, it was suggested that I make the text just a little smaller, and also emphasize certain parts of the text by enlarging them and using a brighter color. I used both these suggestions, and believe my piece is now better for it.
In this poster, I was attempting to utilize the Gestalt principles of proximity grouping and closure. This is created through the water droplets that suggest the shape of the earth, as well as the text wrapping around it. There is also similarity between the water droplets that make up the earth and the water droplets in the background. The comments through mid-review led me to really simplify my message, as well as completely rearrange the text to wrap around the earth. VoiceThread critiques gave me additional comments on how to tweak the text and unify the poster more fully from the faucet, through the earth, to the bottom text.
Tuesday, September 11, 2012
Saturday, September 8, 2012
Studio: Paper Project
Wednesday, August 1, 2012
Gravity Falls Geb (and other Cartoon Characters)
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